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Eisenächer/Harder CLAIMS
Reality Crime Scene
Workshop: Wednesday,
26th till Saturday, 29th November, at Bryggeriet, Malmö/SE Public spaces will be turned into private spaces and private spaces will be protected by law. Reality Crime Scene is an attempt to re-transform pseudo-public spaces into spaces for social interaction, statements and fantasies. Eisenächer/Harder CLAIMS work with artistic interview methods in public and art spaces since more than 2 years in different European cities. The aim of their method lies in transforming the interview as a means of evaluating and interpreting "real people" into an artistic dialogue between the artist/activist and the passer-by. That which comes into being is a space that exists for a limited period of time and allows for creative statements of non-creative people - statements that challenge our perception of everyday life, are motivated by unknown truths and desires, and vanish into public consciousness. In course of MIT-DEMO 08, a festival organised by INSTITUTET, Teatr Weimar and the Dramatic Writing Research Centre in Malmö/Sweden for investigating the issue of "real action" in contemporary scenic practice by combining art and theory, Eisenächer/Harder CLAIMS will tempt workshop participants to challenge the supposed to be-reality of Malmö. Together we will turn Triangeln into a crime scene and motivate the Swedish audience to commit the crimes they always wished for. Participants are asked to send a short text on why they would like to participate, personal interests and experiences to: janine.eisenaecher@eatwork.de. Each participant may bring 2-3 personal objects related to the issue of "crime", a digital photo camera and warm clothes for interventions in public space. Number of participants: 6 Deadline: 25th November 2008. The workshop is free of charge. When and where? Workshop: Wednesday, 26th till Saturday, 29th November, at Bryggeriet, Malmö/SE. Wed: 10 am to 6 pm, Thur - Sat: 10 am to 2 pm Intervention in public space: Sat: 11 am to 2 pm at Triangeln, Malmö/SE. Demo: Sat: 6 pm at Institutet, Norra Vallgatan 28, 211 25 Malmö/SE. Who? Janine Eisenächer,Joy Harder Short Biography of Works with artistic interview methods
Try-out of various methods and playful approaches
to the interview: involving body and situation. Berlin n@work workshop in Brzezno/Poland, May 2006, and @work network workshop in Riddarhyttan/Sweden, June 2006
First specification of methods and try-out of
object-related interview methods based on the idea of
creativity, exchange and desire.(e)at_work_1, TRASH and NARRATION. at Galerie Nikolaus Lenau, Berlin/Germany, November 2006
Using object-related interview methods and forms
of intervention, creating intimate situation in urban
public space. Everyday Life Workshop at the @work network LAB 2 @workShop in Helsinki/Finland, December 2006
Using object-related interview methods,
creating speechless statements within the art space.Berlin n@work, Arbeit [Definition 2.1], Sophiensaele Berlin/Germany, June 2007
Collection of intimate confessions in urban public space.
Using site-specific interview methods, masks and props. Workshop in cooperation with TeaterKUNST (DK), WALL 2 WALL, Sophiensaele Berlin/Germany, March 2008
Research on possibilities of how to use interview-generated
material in the art context. Discussing the issue of representation.(e)at_work_4, Arbeit und Identität: INTER VIEWS 1 at Galerie Kurt im Hirsch Berlin/Germany, April 2008
Collection of intimate statements in the festival context.
Using object-related interview methods. Recycling of
interview material in the performance situation.Emanuelle, Synthesis I. Eurydike at Was ist das WERT?, Dresden-Hellerau/Germany, June 2008
Activity-related interview methods as interventions
in urban public space. Transformation of interview material
in the performance situation. (e)at_work_5, INTER VIEWS 2: Bröllin - Pasewalk - Bröllin at pro.existance Festival, Schloss Bröllin/Germany, September 2008
Creating an intervention in urban public space
based on interview-related tasks given to the participants
of a workshop. Trying to create an explicitly artistic scenery
out of real actions outside the art space. Reality Crime Scene | ||
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